Who is taylor swift dating in one direction
In 2010 Swift wrote the song “Innocent”, in which she forgave West with the lyrics: “32 and still growing up / Who you are is not what you did / You’re still an innocent.” Swift debuted the song with a performance at the MTV VMAs, opening with a literal replaying of her run-in with West from the previous year.But the scene was edited to entirely omit West’s infamous line, and the final shot lingered on her overly pained face.
“To all the young women out there,” Swift warned, “there are going to be people along the way who will try to undercut your success, or take credit for your achievements.” Then, looking directly down the lens of the camera, she said: “Or your fame.” She paused for several seconds, allowing her message to percolate.
Swift had witnessed the negative reaction to “Famous." Her spokesperson said she was never made aware of the lyric: "I made that bitch famous." She reverted back to a well-practised posture: that of victim.
But she had an idea.“If people ask me about it,” she said, her voice picking up with excitement, “I think it’d be great for me to be like, ‘Look, he called me about the line before it came out. We’re fine.’” Swift told West she’d be doing just that on the Grammys red carpet, weeks after the song’s release.
It was released, however, to the public’s immediate revulsion.
The notion of sexual innocence emerged as she cried over her best friend giving “everything she had” to a “boy who changed his mind”, and through the repeated mention of a highly sexualised “other woman” swooping in to steal her love interests.
Her innocence also contributed to the emotional impact of the most common theme of all: Swift as the victim of the behaviour of a bad boyfriend, or rejection by her crush.
Last January Kanye West called Taylor Swift to ask whether she’d mind if he wrote a song in which he referenced having sex with her.
After hearing lyrics, she told him that they “didn’t matter” to her.
Even their clothes reflected the racially fuelled victim/villain framework that would define the incident: The image of West, wearing dark shades and an entirely black outfit, accosting sweet Swift in her white and silver party dress, remains an iconic one. Public opinion spiralled so drastically that even the president branded him a “jackass”.
Swift, on the other hand, was able to capitalise on the stereotype of the “angry black man”, an archetype that has been described as a “figment of the white imagination”, used to incarcerate and oppress black men. The incident may not have made her famous, as the lyrics in “Famous” claim, but it certainly catapulted her into the mainstream consciousness.
Despite saying she wants to be “excluded from the narrative”, Swift has reminded the public of this same narrative countless times in jokes and speeches.